Program
All aboard! If you want to participate in this performance, you have to invite the artists for a jaunt in your own car. During the drive through the city, a conversation will start – on commonalities and publicity, on private space and where to find what nowadays. Have fun with the drive!
All aboard! If you want to participate in this performance, you have to invite the artists for a jaunt in your own car. During the drive through the city, a conversation will start – on commonalities and publicity, on private space and where to find what nowadays. Have fun with the drive!
All aboard! If you want to participate in this performance, you have to invite the artists for a jaunt in your own car. During the drive through the city, a conversation will start – on commonalities and publicity, on private space and where to find what nowadays. Have fun with the drive!
All aboard! If you want to participate in this performance, you have to invite the artists for a jaunt in your own car. During the drive through the city, a conversation will start – on commonalities and publicity, on private space and where to find what nowadays. Have fun with the drive!
The rabbit from No. 34 lies on the street – flat as a sheet of paper. This cannot remain as it is, according to the dog and the rat, so they carefully peel it from the asphalt and proceed to hammer and build all night… A story of cheerful ease, telling us about compassion and respect, with a philosophical wink.
All aboard! If you want to participate in this performance, you have to invite the artists for a jaunt in your own car. During the drive through the city, a conversation will start – on commonalities and publicity, on private space and where to find what nowadays. Have fun with the drive!
The rabbit from No. 34 lies on the street – flat as a sheet of paper. This cannot remain as it is, according to the dog and the rat, so they carefully peel it from the asphalt and proceed to hammer and build all night… A story of cheerful ease, telling us about compassion and respect, with a philosophical wink.
Space. The final frontier. A mission heads into space in search for Laika, the first creature to orbit Earth, long before people followed her on this path. The adventurous journey passes Sun, Moon and stars, crossing beyond the Milky Way,... View Article
4 December, 1975. Hannah Arendt sits at her desk, focused, working on her book “The Life of the Mind”. She does not know, as no one could have known: This would have been the last day of her life. Out... View Article
Dagobert
“The Man Who Fell to Earth” is a strange science fiction film by Nicholas Roeg; it is about an alien that has landed on earth and wants to build a spaceship to return home. A similar arrival occurred a... View Article
This performance is all about the fictitious “Fermata” – a legendary underground performance spot. Could you still recall the choreographies that emerged there? Düsseldorf-based director miu and his German-Japanese team play with parallel identities, memory (loss) and the joy of retrieving lost items.
Regardless of the things we do – the end of each day will inevitably come. That is a sad certainty. Or is it a comforting slogan designed to boost morale? Two performers dare to take a look at what, perhaps,... View Article
Regardless of the things we do – the end of each day will inevitably come. That is a sad certainty. Or is it a comforting slogan designed to boost morale? Two performers dare to take a look at what, perhaps,... View Article
Bei regelmäßigen Treffen mit Kolleg*innen und Theatermacher*innen möchten wir mit Ihnen ins Gespräch kommen - bei einem gemeinsamen Theaterbesuch! Der FFTeachers Club ist offen für Lehrer*innen aller Schulformen, Referendar*innen und Erzieher*innen!
This performance is all about the fictitious “Fermata” – a legendary underground performance spot. Could you still recall the choreographies that emerged there? Düsseldorf-based director miu and his German-Japanese team play with parallel identities, memory (loss) and the joy of retrieving lost items.
TRIXSI
While pretty plastered, members of FINDUS, HERRENMAGAZIN and LOVE A founded a new band. What? TRIXSI? Isn’t that a cat’s name? Due to the musicians‘ age and mildness, this gang of habitual drunkards from Hamburg prefer to write their... View Article
This performance is all about the fictitious “Fermata” – a legendary underground performance spot. Could you still recall the choreographies that emerged there? Düsseldorf-based director miu and his German-Japanese team play with parallel identities, memory (loss) and the joy of retrieving lost items.
Men in garages and in the filter bubble. Men on parental leave. Can we finally renegotiate gender images? Performance collective The Agency founds a new men‘s movement, empowering themselves for the resistance against patriarchy and feminism alike.
Before the performance on 18th October there will be a discussion about "Take It Like a Man" as part of the international exhibition, event and publication project Maskulinitäten of the Bonner Kunstverein, the Kölnischer Kunstverein and the Kunstverein für die Rheinlande und Westfalen, Düsseldorf.
Take It Like a Man
Men in garages and in the filter bubble. Men on parental leave. Can we finally renegotiate gender images? Performance collective The Agency founds a new men‘s movement, empowering themselves for the resistance against patriarchy and feminism alike.
Amoeba Osmosis
Students from three important arts centres form an alliance and present a collective performative installation. They subtend the usual loner tendencies in visual arts with an interactive organism that blows the frame apart.
Is there such a thing as the right kind of education? Egalitarian, authoritarian, or laissez-faire? Senior citizen’s theatre SeTa takes the contentious topic of family life to the stage – with performers who can vividly remember yesterday’s childhoods…
Is there such a thing as the right kind of education? Egalitarian, authoritarian, or laissez-faire? Senior citizen’s theatre SeTa takes the contentious topic of family life to the stage – with performers who can vividly remember yesterday’s childhoods…
Is there such a thing as the right kind of education? Egalitarian, authoritarian, or laissez-faire? Senior citizen’s theatre SeTa takes the contentious topic of family life to the stage – with performers who can vividly remember yesterday’s childhoods…
Is there such a thing as the right kind of education? Egalitarian, authoritarian, or laissez-faire? Senior citizen’s theatre SeTa takes the contentious topic of family life to the stage – with performers who can vividly remember yesterday’s childhoods…
The mobile phone as a contemporary witness seeking refuge. During the “Meeting Strangers” show, Ingo Toben compresses young migrants’ stories into a performance enabling a new form of encounters. Photos and videos stored on the performers’ mobile phones provide material for stories of home, being en route and of new identities in a migration society.
Is there such a thing as the right kind of education? Egalitarian, authoritarian, or laissez-faire? Senior citizen’s theatre SeTa takes the contentious topic of family life to the stage – with performers who can vividly remember yesterday’s childhoods…
Meeting Strangers
The mobile phone as a contemporary witness seeking refuge. During the “Meeting Strangers” show, Ingo Toben compresses young migrants’ stories into a performance enabling a new form of encounters. Photos and videos stored on the performers’ mobile phones provide material for stories of home, being en route and of new identities in a migration society.
Messer
Support: Infuso Giallo Messer are back. After the heavy, dark album “Jalousie” from 2016, the band, playing again as a quartet, created their fourth album, which takes a few new turns – but that’s just speculation as the album... View Article
Meeting Strangers
The mobile phone as a contemporary witness seeking refuge. During the “Meeting Strangers” show, Ingo Toben compresses young migrants’ stories into a performance enabling a new form of encounters. Photos and videos stored on the performers’ mobile phones provide material for stories of home, being en route and of new identities in a migration society.
My funny Valentine
In “My funny Valentine”, two performers shed norms and formalities and start searching for new identities. In this staging by Mannheim’s Junges Nationaltheater, Martin Nachbar connects dance with experimental pop.
My funny Valentine
In “My funny Valentine”, two performers shed norms and formalities and start searching for new identities. In this staging by Mannheim’s Junges Nationaltheater, Martin Nachbar connects dance with experimental pop.
